'); document.writeln('

'); document.writeln('Mark McMorris. Entrepôt. Minneapolis, MN: Coffee House Press, 2010.'); document.writeln('

'); document.writeln('

'); document.writeln('Joseph Fruscione. "Knowing and Recombining: Ellison’s Ways of Understanding Hemingway." Hemingway and the Black Renaissance. Ed. Gary Edward Holcomb and Charles Scruggs. Kent, OH: Kent State University Press, 2010.'); document.writeln('

'); document.writeln('

'); document.writeln('Joseph Fruscione. Modernist Dialectic: Faulkner, Hemingway, and the Anxieties of Rivalry and Influence. Jackson, MS: University Press of Mississippi, 2010.'); document.writeln('

'); document.writeln('

'); document.writeln('Poem: “Redd-Pound Slamma.” Audio Tour of Washington DC Poets..'); document.writeln('

'); document.writeln('

'); document.writeln('Poem: “War Bird.” Audio Tour of Washington DC Poets..'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter. "“The Program Era, by Mark McGurl.” Times Higher Education (UK), 3 Sept. 2009.." Times Higher Education (UK) (2009).'); document.writeln('

'); document.writeln('

'); document.writeln('Christine So. "Beyond Literary Chinatown; The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene." American Literature 81 (2009): 418-420.'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter. "“Fear and Loathing in Chicago.” Times Higher Education (UK).." Times Higher Education (UK) (2009).'); document.writeln('

'); document.writeln('

'); document.writeln('Pamela Fox. Natural Acts: Gender, Race, and Rusticity in Country Music. Ann Arbor, Michigan: University of Michigan Press (Class : Culture series), 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('Angelyn Mitchell and Danille Taylor, ed. The Cambridge Companion to African American Women’s Writing. Cambridge: Cambridge University Press, 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('John C. Hirsh. "’Wo and werres...rest and pese’: John Audelay’s Politics of Peace." Studies in John Audelay. Ed. Susanna Fein. n/a: n/a, 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin, ed. Sourcebook for English Studies: The Renaissance. Houndmills: Palgrave Macmillan, 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Empty Vessels." Everyday Objects: Medieval and Early Modern Material Culture and its Meanings. Ed. Catherine Richardson and Tara Hamling. Farnham: Ashgate, 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Ah Noh Musik Dat: Speech in the Discourse of Nationalism." Diasporic Avant-Gardes: Experimental Poetry & Cultural Displacement. Ed. Carrie Noland and Barrett Watten. New York: Palgrave Macmillan, 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Letter for K & Poems for Someone Else; Reef-Shadow of Green; Fauve Harmonics--Selected Poems." American Hybrid: A Norton Anthology of New Poetry. Ed. Cole Swensen. New York: Norton, 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter. War Bird. Chicago: University of Chicago Press, 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Epithalamion: Words for a Wedding." A Best of Fence: The First Nine Years. Ed. Rebeccal Wolff et al.. Albany, NY: Fence Books, 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('Joseph Fruscione. "Mandel’s ’Hemingway’s The Dangerous Summer: The Complete Annotations." The Hemingway Review 28.2 (2009): 143-147.'); document.writeln('

'); document.writeln('

'); document.writeln('Poem: “Pediment.” New Ohio Review..'); document.writeln('

'); document.writeln('

'); document.writeln('Poem: “Baudelaire’s Day Book.” Poetry International..'); document.writeln('

'); document.writeln('

'); document.writeln('Poem: “Surrey: Walled Garden.” Literary Imagination..'); document.writeln('

'); document.writeln('

'); document.writeln('poem: "Cook at Maui." Literary Imagination..'); document.writeln('

'); document.writeln('

'); document.writeln('Poem: “Zero-Account.” Essential Pleasures: Poems to Read Aloud..'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter. "“Domains of Ecstasy.”." At the Barriers: Essays on Thom Gunn. Ed. Joshua Weiner. Chicago: University of Chicago Press., 2009.'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter. ""Politics and Ethics in Modern American Poetry, by John Wrighton.”." Times Higher Education (UK) (2009).'); document.writeln('

'); document.writeln('

'); document.writeln('John C. Hirsh. "The Earliest Known English Ballad: A New Reading of ’Judas’ ." Modern Language Review 103.4 (2008): 931-39.'); document.writeln('

'); document.writeln('

'); document.writeln('Randall Bass and Sherry Linkon. "On the Evidence of Theory: Close reading as a disciplinary model for writing about teaching and learning." Arts and Humanities in Higher Education Vol 7.(3) (2008): 245-61.'); document.writeln('

'); document.writeln('

'); document.writeln('"Burney & Hawkins: A Tale of Two Histories," BBC Radio 3 Broadcast, produced by Classic Arts Productions, Ltd., 31 May 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Letter to the Editor: New York Times.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "Orwell and Empire: Anti-Communism and the Globalization of Literature." Alif: Journal of Comparative Poetics 28 (2008).'); document.writeln('

'); document.writeln('

'); document.writeln('Joseph Fruscione. "’What Is Called Savagery’: Race, Visual Perception, and Bodily Contact in Moby-Dick." Leviathan: A Journal of Melville Studies (2008).'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. ’Foreword,’ Edward W. Said, ’Joseph Conrad and the Fiction of Autobiography’. New York: Columbia University Press, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Pamela Fox and Barbara Ching, ed. Old Roots and New Routes: The Cultural Politics of Alt.Country Music. Ann Arbor, Michigan: University of Michigan Press, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. "Edwidge Danticat’s Latinidad: The Farming of Bones and the Cultivation of Knowledge." Aftermaths: Exile, Migration, and Diaspora Reconsidered. Ed. Marcus Bullock and Peter Paik. New Brunswick, NJ: Rutgers UP, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Randall J Bass and Daniel Bernstein. "The Middle of Open Spaces: Generating Knowledge about Learning through Multiple Layers of Open Teaching Communities.." Opening Up Education: The Collective Advancement of Education through Open Technology, Open Content, and Open Knowledge. Ed. Vijay Kumar and Toru Iiyoshi. Cambridge, MA: MIT Press, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Randall Bass. "Is the Study of Culture and History Any Place for Amateurs?." Festschrift in Honor of Guenther Lenz. Ed. Wilfried Raussert and Reinhard Isensee. Berlin: Humboldt, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Character of Martin Barnham, Knight, by Sir Francis Barnham." Renaissance Historicisms: Essays in Honor of Arthur F. Kinney. Ed. James M. Dutcher and Anne Lake Prescott. Newark: University of Delaware Press, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Private Life of Public Plays." Shakespeare’s World, World Shakespeares. Ed. Richard Fotheringham, Christa Jansohn, R.S. White. Newark: University of Delaware Press, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Domestication of Othello." Shakespeare Jahrbuch 144 (2008): 132-47.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Temporary Lives: Lodgings in Early Modern London." Huntington Library Quarterly 71.1 (2008): 219-42.'); document.writeln('

'); document.writeln('

'); document.writeln('Kelley M. Wickham-Crowley. "Buried Truths: Shrouds, Cults and Female Production in Anglo-Saxon England." Aedificia Nova: Studies in Honor of Rosemary Cramp. Ed. Catherine E. Karkov and Helen Damico. Kalamazoo: Medieval Institute Publications, Western Michigan University, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Kelley M. Wickham-Crowley. "Review article of Tom Shippey, Roots and Branches: Selected Papers on Tolkien. Zollikofen, Switzerland: Walking Tree Publishers, 2007. 417 pp.." Tolkien Studies: An Annual Scholarly Review 5 (2008): 233-44.'); document.writeln('

'); document.writeln('

'); document.writeln('Kelley M. Wickham-Crowley. "Review of of Sam Turner, Making a Christian Landscape: The countryside in early medieval Cornwall, Devon and Wessex. Exeter: University of Exeter Press, 2006. 218 pp.." Speculum 83.1 (2008): 245-46 .'); document.writeln('

'); document.writeln('

'); document.writeln('Bret Eynon, ed. The Difference that Inquiry Makes: A Collaborative Case Study of the Visible Knowledge Project. : Academic Commons, 2008.'); document.writeln('

'); document.writeln('

'); document.writeln('Bret Eynon. "Capturing the Visible Evidence of Invisible Learning." Academic Commons (2008).'); document.writeln('

'); document.writeln('

'); document.writeln('Joseph Fruscione. "Mano a Mano Rivalries in Spain and America: Hemingway vs. Faulkner in The Dangerous Summer." The Hemingway Review 28.2 (2008).'); document.writeln('

'); document.writeln('

'); document.writeln('Poem: “In again Out again.” Agni (online)..'); document.writeln('

'); document.writeln('

'); document.writeln('Poem: “Leopard Man.” Beltway: an Online Poetry Quarterly..'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter. "“Remembering the Novel.” New Ohio Review.." New Ohio Review 4.2008 (2008): 175-177.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. "On (Our-) American Ground: Caribbean-Diasporic Cultural Production." Social Text 94 (2007).'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. "Arturo Islas and the Phantom Rectum." Contemporary Literature 48.3 (2007): 398-422.'); document.writeln('

'); document.writeln('

'); document.writeln('Letter to the Editor, New York Times.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. "City of (Queer) Angels: Faderman and Timmons’ ’Gay LA’." Lambda Book Report 14.4 (2007): 4-7.'); document.writeln('

'); document.writeln('

'); document.writeln('John C. Hirsh. "Review of Marion Turner, CHAUCERIAN CONFLICT." Medium AEvum 76.2 (2007): 323-24.'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. "Representative Mournfulness: Nation and Race in the Time of Lincoln." The Subject of Death: Configurations of Mortality in the Nineteenth Century. Ed. Lucy Frank. : Ashgate Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Jennifer Natalya Fink. V. San Francisco, CA: Suspect Thoughts Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Jennifer Natalya Fink, Kathleen Bryson,, ed. alter.girls: New Queer Women’s Fiction. San Francisco, CA: Suspect Thoughts Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. Cultural Erotics in Cuban America. : University of Minnesota Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Susan Basalla and Maggie Debelius. So What Are You Going to Do with That?: The Chicago Guide to Postacademic Careers. Chicago: University of Chicago, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('John Pfordresher. Jesus and the Emergence of a Catholic Imagination. Mahwah N. J.: Paulist Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. Arranging Grief: Sacred Time and the Body in Nineteenth-Century America. : New York University Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Deborah L. Jaramillo. "The Family Racket: AOL Time Warner, HBO, The Sopranos, and the Construction of a Quality Brand." Television: The Critical View, 7th ed.. Ed. Horace Newcomb. New York : Oxford University Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Joseph Fruscione. "Rivalry and Influence in the Afternoon: Faulkner, Hemingway, and If I Forget Thee, Jerusalem." South Atlantic Review (2007).'); document.writeln('

'); document.writeln('

'); document.writeln('Christine So. Economic Citizens: A Narrative of Asian American Visibility. Philadelphia, PA: Temple University Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('John A. Williams and Dennis A. Williams. If I Stop I’ll Die: The Comedy and Tragedy of Richard Pryor. New York: Thunder’s Mouth, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "Edward Said (1935-2003)." Edward Said and Critical Decolonization. Ed. Ferial Ghazoul. Cairo: American University in Cairo Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('John C. Hirsh. "Latin Prayers as a Lesson in Writing and Devotion for a Lady of Standing." Chaucer Review 41.4 (2007): 445-454.'); document.writeln('

'); document.writeln('

'); document.writeln('Ed Ingebretsen. ""Bodies Under Scandal: Civic Gothic as Genre." Monsters in and Among Us. Ed. Kay Picart and Cecil Greene. Madison, New Jersey: Fairleigh Dickinson Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Randall Bass. "The Purchase of Learning: Trading Outcomes for Consequences--Tribute to the Life and Work of James F. Slevin." ADE Bulletin (2007).'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "The Parthenon in Tobago: Encountering Derek Walcott after the 1970s." Calabash: A Journal of Caribbean Arts and Letters 5.1 (2007).'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. "“Coming Around Again: The Queer Momentum of Far From Heaven” ." GLQ 12.2-3 (2007): 249-72.'); document.writeln('

'); document.writeln('

'); document.writeln('John C. Hirsh. "Review of Patrick Horner, A Macaronic Sermon Collecxtion from ...MS Bodley 649." Medium AEvum 76.2 (2007): 355-56.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. Locating Privacy in Tudor London. Oxford: Oxford University Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin and Miranda Johnson-Haddad, ed. Staging Shakespeare: Essays in Honor of Alan C. Dessen. Newark: University of Delaware Press, 2007.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Search for Lady Ingram." Literature Compass (2007).'); document.writeln('

'); document.writeln('

'); document.writeln('New York Times, Letter to the Editor, Sept. 16, 2006.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Performance as Critical Practice: M. Nourbese Philip’s ’Discourse on the Logic of Language’." Poetry and Pedagogy: the Challenge of the Contemporary. Ed. Joan Retallack and Juliana Spahr. New York: Palgrave Macmillan, 2006.'); document.writeln('

'); document.writeln('

'); document.writeln('R. Scott Heath and Charles Henry Rowell, ed. Callaloo: A Journal of African Diaspora Arts and Letters 29.3 (Summer). Baltimore: The Johns Hopkins University Press, 2006.'); document.writeln('

'); document.writeln('

'); document.writeln('R. Scott Heath. "Hip_Hop Now: An Introduction." Callaloo: A Journal of African Diaspora Arts and Letters 29.3 (2006): 714-716.'); document.writeln('

'); document.writeln('

'); document.writeln('R. Scott Heath. "True Heads: Historicizing the Hip_Hop ’Nation’ in Context." Callaloo: A Journal of African Diaspora Arts and Letters 29.3 (2006): 846-866.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. "Review: El deseo, enorme cicatriz luminosa." The Americas: A Quarterly Review of Inter-American Cultural History 62.3 (2006): 467-8.'); document.writeln('

'); document.writeln('

'); document.writeln('Christine So. "Asian Mail-Order Brides, the Threat of Global Capitalism, and the Rescue of the U.S. Nation-State." Feminist Studies 32.2 (2006): 395-419.'); document.writeln('

'); document.writeln('

'); document.writeln('Deborah L. Jaramillo. "Pills Gone Wild: Medium Specificity and the Regulation of Direct-to-Consumer Prescription Drug Advertising on Television." Television and New Media 7 (2006): 261-281.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin, ed. Lost Illusions: Academic Freedom and Neo-Orientalism. 2006. : Modern Language Association.'); document.writeln('

'); document.writeln('

'); document.writeln('Joseph Fruscione. "’One Tale, One Telling’: Parallelism, Inflluence, and Exchange between Faulkner’s The Unvanquished and Hemingway’s For Whom the Bell Tolls." War, Literature, and the Arts 18.1&2 (2006): 279-300.'); document.writeln('

'); document.writeln('

'); document.writeln('John C. Hirsh. "Review of J. Allan Mitchell, ’Ethics and Exemplary Narrative in Chaucer and Gower." Medium AEvum 75.1 (2006): 151-2.'); document.writeln('

'); document.writeln('

'); document.writeln('John C. Hirsh. "Review of Nigel Morgan, ’Prophecy, Apocalypse and the Day of Doom’." Medium AEvum 75.1 (2006): 129-30.'); document.writeln('

'); document.writeln('

'); document.writeln('John C. Hirsh. "Review of Nicholas Watson and Jacqueline Jenkins, eds., The Writings of Julian of Norwich." Medium AEvum 75.2 (2006).'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Zukofsky’s Bilingual Catullus: Theoretical Articulations upon the Translator’s Method." Paideuma: Studies in American and British Modernist Poetry 35.1 & 2 (2006): 217-249.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "A Poetics of Discovery." American Book Review 27.5 (2006): 9-10.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Discrepant Affinities in Caribbean Poetry: Tradition & Demotic Modernism." Contemporary Literature 47.3 (2006): 505-522.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin, ed. Center or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll. Selinsgrove: Susquehanna University Press, 2006.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Private Lives and Domesticity." A Concise Companion to English Renaissance Literature. Ed. Donna B. Hamilton. Oxford: Blackwell, 2006.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Spaces of Treason in Tudor England." Center or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll. Ed. Lena Cowen Orlin. Selinsgrove: Susquehanna University Press , 2006.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew Rubin. "The End of the Enlightenment." Counterpunch 16 Jul. 2005: .'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "We can no longer see the sun set." Al-Ahram 13 Jul. 2005: .'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin, ed. Humanism, Freedom, and the Critic. 2005. Washington, DC: Georgetown University.'); document.writeln('

'); document.writeln('

'); document.writeln('Jennifer Fink. "Republic." Lodestar Quarterly Winte.2005 (2005).'); document.writeln('

'); document.writeln('

'); document.writeln('Lucy Maddox. Citizen Indians: Native American Intellectuals, Race, and Reform. Ithaca, NY: Cornell University Press, 2005.'); document.writeln('

'); document.writeln('

'); document.writeln('Terry Eagleton, Andrew N. Rubin, Barbara Harlow, Ferial Ghazoul, Dalia Mostafa, Ibrahim Fathy, Rana El Harouny. "Edward W. Said, Cultural Politics and Critical Theory: An Interview with Terry Eagleton." Alif: Journal of Comparative Poetics 25 (2005): 245-269.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. "Fables of Cuban Exile: Special Periods and Queer Moments in Eduardo Machado’s ’Floating Island Plays’." Modern Drama 48.1 (2005): 132-162.'); document.writeln('

'); document.writeln('

'); document.writeln('Christine So. "’A Woman Is Nothing’: Valuing the Modern Chinese Woman’s Epic Journey to the West." East Main Street: Asian American Popular Culture. Ed. Shilpa Dave, LeiLani Nishime, Tasha G. Oren. New York: New York University, 2005.'); document.writeln('

'); document.writeln('

'); document.writeln('Joseph Fruscione. "Review: Rovit and Waldhorn’s Hemingway and Faulkner in Their Time." The Hemingway Review 25.1 (2005): 139-141.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "Intellectual Giant. Rev. Adbirahman Hussein’s Edward Said: Criticism and Theory." Journal of Palestine Studies 33.2 (2004): 111-112.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "Edward W. Said (1935-2003)." Arab Studies Quarterly 26.4 (2004): 37-55.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "The Slaughter of Iraq’s Intellectuals." The New Statesman 6 Sep. 2004: .'); document.writeln('

'); document.writeln('

'); document.writeln('"Prison Literacies, Narratives and Community Connections." Reflections Special Issue Winter 2004..'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. "Melville’s Untimely History: ‘Benito Cereno’ as Counter-Monumental Narrative” ." Arizona Quarterly 60.3 (2004).'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. "The Gothic Meets Sensation: Brockden Brown, Poe, Southworth and Lippard." Companion to American Fiction 1780-1865 . Ed. Shirley Samuels. New York: Blackwell Press, 2004.'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. "Voicing Removal: Mourning (as) History in Catherine Maria Sedgwick’s Hope Leslie." The Western Humanities Review 58.2 (2004): 48-67.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. The Café at Light. New York: Roof Books, 2004.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Entrepôt: A Statement of Poetics." The Iowa Anthology of New American Poetries. Ed. Reginald Shepherd. Iowa City, IA: U of Iowa P, 2004.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Deposition of Margaret Christmas." Reading Early Modern Women: An Anthology of Texts in Manuscript and Print. Ed. Helen Ostovich and Elizabeth Sauer. New York: Routledge, 2004.'); document.writeln('

'); document.writeln('

'); document.writeln('Oxford Dictionary of National Biography.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "More Than Once in Caves; Aphrodite of Economy; Some Days in the City; Prayer to Shadows on My Wall; Time Once Again; Au Café Noir--Selected Poems." The Iowa Anthology of New American Poetries. Ed. Reginald Shepherd. Iowa City, IA: U of Iowa P, 2004.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "Techniques of Trouble: Edward Said and the Dialectics of Cultural Philology." South Atlantic Quarterly 102.4 (2003): 862-876.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin, ed. Republics of Literature. 2003. San Diego: American Comparative Literature Association.'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. "Passing Shadows: Melancholy Nationality and Black Publicity in Pauline E. Hopkins’s Of One Blood." Loss: The Psychic and Social Contexts of Melancholia . Ed. David Eng and David Kazanjian. Berkeley : University of California Press, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('Jennifer Natalya Fink. Burn. San Francisco, CA: Suspect Thoughts Press, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. The Blaze of the Poui. Athens, GA: U of Georgia P, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter. The Sleep of Reason. Chicago: University of Chicago Press, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter, Frank Bidart, ed. Robert Lowell: Collected Poems. New York & London: Farrar, Straus & Giroux, Faber & Faber, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin, ed. New Casebooks Othello: Contemporary Critical Essays. Houndmills: Palgrave Macmillan, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin and Stanley Wells, ed. Shakespeare: An Oxford Guide. Oxford : Oxford University Press, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Shakespearean Comedy and Material Life." A Companion to Shakespeare’s Works: The Comedies. Ed. Richard Dutton and Jean E. Howard. Oxford: Blackwell, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Ideas of Order." Shakespeare: An Oxford Guide. Ed. Lena Cowen Orlin and Stanley Wells. Oxford: Oxford University Press, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Shakespearian Genres." Shakespeare: An Oxford Guide. Ed. Lena Cowen Orlin and Stanley Wells. Oxford: Oxford University Press, 2003.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin, ed. Modernism and the State. 2002. Madison: Modernist Studies Association.'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. "Invalid Relations: Queer Kinship in Henry James’s The Portrait of a Lady." The Henry James Review 23.2 (2002): 196-217.'); document.writeln('

'); document.writeln('

'); document.writeln('Deborah L. Jaramillo. "The Family Racket: AOL Time Warner, HBO, The Sopranos, and the Construction of a Quality Brand." Journal of Communication Inquiry 26 (2002): 59-76.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin, Nigel Gibson, ed. Adorno: A Critical Reader. Oxford and Malden, MA: Blackwell, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "The Adorno Files." Adorno: Critical Reader. Ed. Nigel Gibson and Andrew Rubin. Oxford: Blackwell, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "The Affiliations of Dispossession: An Interview with Edward Said." The Edward Said Reader. Ed. Moustafa Bayoumi and Andrew N. Rubin. New York: Vintage, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Angelyn Mitchell. The Freedom to Remember: Narrative, Slavery, and Gender in Contemporary African American Women’s Fiction. New Brunswick, NJ: Rutgers UP, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin, Nigel Gibson. "Adono and the Autonomous Intelllectual." Adorno: A Critical Reader. Ed. Andrew N. Rubin, Nigel Gibson. Malden, Mass.: Blackwell Publishers, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. "Hemispheric Vertigo: Cuba, Quebec, and ’Our’ New America(s)." The Futures of American Studies. Ed. Donald Pease and Robyn Wiegman. Durham and London: Duke UP, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Things with Little Social Life (Henslowe’s Theatrical Properties and Elizabethan Household Fittings)." Staged Properties in Early Modern English Drama. Ed. Jonathan Gil Harris and Natasha Korda. Cambridge: Cambridge University Press, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Fictions of the Early Modern English Probate Inventory." The Culture of Capital. Ed. Henry S. Turner. New York: Routledge, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Domestic Tragedies: Private Life on the Public Stage." A Companion to Renaissance Drama. Ed. Arthur F. Kinney. Oxford: Blackwell, 2002.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Sincerity and Revolt in Avant-Garde Poetry: Créolité, Surrealism, and New World Alliances." Tripwire (2001): 41-56.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Postcolonial ’A’? Empire and Nation in Louis Zukofsky’s American Movements, A-14 to A-17." Xcp: Cross-Cultural Poetics (2001): 11-22.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "A Case for Anecdotalism in Women’s History: The Witness Who Spoke When the Cock Crowed." English Literary Renaissance 31.1 (2001): 84-98.'); document.writeln('

'); document.writeln('

'); document.writeln('Tudor England: An Encyclopedia, ed Arthur F. Kinney and David W. Swain.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Rewriting Stone’s Renaissance." Huntington Library Quarterly 64.1-2 (2001): 188-230.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Tudor Long Gallery in the History of Privacy." InForm: The Journal of Architecture, Design, and Material Culture (2001): 284-98.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Actos de identificacion y los subtextos en espanol en Otello." Contrastes (2001).'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin, Moustafa Bayoumi, ed. The Edward Said Reader. New York, London: Vintage, Granta, 2000.'); document.writeln('

'); document.writeln('

'); document.writeln('Patricia O’Connor. Speaking of Crime: Narratives of Prisoners. Lincoln, NE: Univ. of Nebraska Press, 2000.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin, ed. Material London, ca. 1600. Philadelphia: University of Pennsylvania Press, 2000.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Boundary Disputes in Early Modern London." Material London, ca. 1600. Ed. Lena Cowen Orlin. Philadelphia: University of Pennsylvania Press, 2000.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Chronicles of Private Life." The Cambridge Companion to English Literature, 1500-1600. Ed. Arthur F. Kinney. Cambridge: Cambridge University Press, 2000.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Secret History of Richard Bellasis." Shakespeare Studies 28 (2000): 220-24.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo Ortiz. "Revolution’s Other Histories: the Sexual, Cultural and Critical Legacies of Roberto Fernandez Retamar’s ’Caliban’." Social Text 17.1 (1999): 33-58.'); document.writeln('

'); document.writeln('

'); document.writeln('Henry Schwarz, ed. A Companion to Postcolonial Studies. Malden, MA: Blackwell, 1999.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Provincial Subjects in the Classical Labyrinth: the Challenge to Tradition in Kamau Brathwaite’s X/Self." Journal of Commonwealth and Postcolonial Studies 6.1 (1999): 104-124.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo L. Ortíz. "LA Women: Jim Morrison with John Rechy." The Queer Sixties. Ed. Patricia Juliana Smith. New York and London: Routledge, 1999.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Three Ways to Be Invisible in the Renaissance: Sex, Reputation, and Stitchery." Renaissance Culture and the Everyday. Ed. Patricia Fumerton and Simon Hunt. Philadelphia: University of Pennsylvania Press, 1999.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "“Grand Hotel Abyss” (review of Theodor Adorno’s Critical Models." The Nation (1998): 28-30.'); document.writeln('

'); document.writeln('

'); document.writeln('Andrew N. Rubin. "Arab Lessons (review of Fouad Ajami’s Dream Palace of the Arabs." The Nation (1998): 31-33.'); document.writeln('

'); document.writeln('

'); document.writeln('Dana Luciano. "’Perverse Nature’: Edgar Huntly and the Novel’s Reproductive Disorders." American Literature 70.1 (1998): 1-27.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo Ortiz. "Docile Bodies, Volatile Texts: Political Erotics in Cuban-Exile Prison Memoirs." Annals of Scholarship 12.3/4 (1998): 91-111.'); document.writeln('

'); document.writeln('

'); document.writeln('Henry Schwarz, ed. Contributions to Bengal Studies: An Interdisciplinary and International Approach, . Dhaka: Pustaka, 1998.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Gertrude’s Closet." Shakespeare Jahrbuch 134 (1998): 44-67.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo Ortiz. "Cafe, Culpa and Capital: Nostalgic Addictions of Cuban Exile." Yale Journal of Criticism 10.1 (1997): 63-84.'); document.writeln('

'); document.writeln('

'); document.writeln('Henry Schwarz. Writing Cultural History in Colonial and Postcolonial India . Philadelphia: University of Pennsylvania, 1997.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. The Black Reeds. Athens, GA: U of Georgia P, 1997.'); document.writeln('

'); document.writeln('

'); document.writeln('David Gewanter. In the Belly. Chicago: University of Chicago Press, 1997.'); document.writeln('

'); document.writeln('

'); document.writeln('Dennis A. Williams. Somebody’s Child. New York: Simon & Schuster, 1997.'); document.writeln('

'); document.writeln('

'); document.writeln('Dennis A. Williams. ""A Mighty Good Man"." Speak My Name: Black Men on Masculinity and the American Dream. Ed. Don Belton. Boston: Beacon Press, 1997.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Women on the Threshold." Shakespeare Studies 25 (1997): 16-23.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "A Poetics of My Senses: Poetry and Region." American Book Review (1996): 5+.'); document.writeln('

'); document.writeln('

'); document.writeln('Henry Schwarz, ed. Reading the Shape of the World: Toward an International Cultural Studies. Boulder, CO: Westview Press, 1996.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. Moth-Wings. Providence, RI: Burning Deck P, 1996.'); document.writeln('

'); document.writeln('

'); document.writeln('Christine So. "Delivering the Punch Line: Racial Combat as Comedy in Gus Lee’s China Boy." MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 21.4 (1996): 141-156.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. "Susan Howe: Frame Structures." Poetry Project Newsletter (1996): 20-22.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Desdemona’s Disposition." Tragedy and Gender. Ed. Shirley Nelson Garner and Madelon Gohlke. Bloomington: Indiana University Press, 1996.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin, ed. Elizabethan Households: An Anthology. Washington, D.C.: Folger Shakespeare Library, 1995.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Fictional Families of Elizabeth I." Political Rhetoric, Power, and Renaissance Women. Ed. Carole Levin and Patricia Sullivan. Albany: State University of New York Press, 1995.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "’The Causes and Reasons of all Artificial Things’ in the Elizabethan Domestic Environment." Medieval and Renaissance Drama in England 7 (1995): 19-75.'); document.writeln('

'); document.writeln('

'); document.writeln('Angelyn Mitchell, ed. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present. Durham, NC: Duke UP, 1994.'); document.writeln('

'); document.writeln('

'); document.writeln('Pamela Fox. Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945. Durham, North Carolina: Duke University Press, 1994.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. Private Matters and Public Culture in Post-Reformation England. Ithaca: Cornell University Press, 1994.'); document.writeln('

'); document.writeln('

'); document.writeln('Ricardo Ortiz. "Fielding’s Orientalist Moment: Historical Fiction and Historical Knowledge in ’Tom Jones’." Studies in English Literature 33.3 (1993): 609-628.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "The Performance of Things in The Taming of the Shrew." Yearbook of English Studies 23 (1993): 167-88.'); document.writeln('

'); document.writeln('

'); document.writeln('Dennis A. Williams. Crossover. New York: Summit Books, 1992.'); document.writeln('

'); document.writeln('

'); document.writeln('Mark McMorris. Palunurus Suite. Providence, RI: Paradigm Press, 1992.'); document.writeln('

'); document.writeln('

'); document.writeln('Gervase Jackson-Stops, Gordon J. Schochet, Elizabeth McDougall, Lena Cowen Orlin, ed. The Fashioning and Functioning of the British Country House. Washington, D.C.: National Gallery of Art, 1989.'); document.writeln('

'); document.writeln('

'); document.writeln('Lena Cowen Orlin. "Man’s House as his Castle in Arden of Feversham." Medieval and Renaissance Drama in England 2 (1985): 57-89.'); document.writeln('

'); document.writeln('

'); document.writeln('Dennis A. Williams and Spero Pines. Them That’s Not. New York: Emerson Hall, 1973.'); document.writeln('

'); document.writeln('